Rock Reinvention

Reviews | Plastic Magazine: Elbows Don't Have Eyes is a ‘Shapeshifting Collage of Rebellion and Sound'

Reviews | Plastic Magazine: Elbows Don't Have Eyes is a ‘Shapeshifting Collage of Rebellion and Sound'

Plastic Magazine calls The Stolen Moans’ Elbows Don’t Have Eyes “a fever dream”, a shapeshifting album that fuses punk, pop, and experimental noise into a cinematic, rebellious soundscape. With standout tracks like “Dada Catapult” and “Falling Into,” this debut doesn’t just land, it detonates.

Reviews | ExtraVAFrench: Elbows Don't Have Eyes is ‘Rage, Poetry, and Thirteen Gunshots in an Empty Hangar’

Reviews | ExtraVAFrench: Elbows Don't Have Eyes is ‘Rage, Poetry, and Thirteen Gunshots in an Empty Hangar’

ExtraVAFrench calls Elbows Don’t Have Eyes a “punk survival diary, a wild, poetic, and uncompromising album that moves from barbed-wire riffs to post-industrial rituals. The Stolen Moans deliver 13 miniature sonic revolutions, and the result is unforgettable.”

Reviews | Berlin On Air: Elbows Don't Have Eyes os ‘Dynamic, Anthemic, and Unstoppable’

Reviews | Berlin On Air: Elbows Don't Have Eyes os ‘Dynamic, Anthemic, and Unstoppable’

Berlin On Air praises The Stolen Moans’ debut album Elbows Don’t Have Eyes as a dynamic and explosive blend of indie rock, post-punk, and experimental textures. With unstoppable vocals, fierce instrumentation, and 13 anthemic tracks, EDHE shakes the ground, and sticks in your head.

Reviews | Dancing About Architecture: Elbows Don't Have Eyes Is Rock Reinvented, Then Rewired

Reviews | Dancing About Architecture: Elbows Don't Have Eyes Is Rock Reinvented, Then Rewired

Dancing About Architecture’s Dave Franklin calls Elbows Don’t Have Eyes “the sound of rock and roll evolving, twisting genres, torching norms, and returning from the depths with a post-genre roar.”