Plastic Magazine calls The Stolen Moans’ Elbows Don’t Have Eyes “a fever dream”, a shapeshifting album that fuses punk, pop, and experimental noise into a cinematic, rebellious soundscape. With standout tracks like “Dada Catapult” and “Falling Into,” this debut doesn’t just land, it detonates.

The Big Takeover’s Dave Franklin calls Elbows Don’t Have Eyes “the new standard” for modern rock, praising its “fearless songwriting, CBGB-era swagger, and jagged, genre-breaking sound. From cultish anthems to chaotic beauty, Elbows Don’t Have Eyes hits hard and leaves a mark.”

York Calling calls The Stolen Moans’ debut album Elbows Don’t Have Eyes “a must-hear,” praising its surreal lyricism, social commentary, and genre-hopping garage rock spirit.

ExtraVAFrench calls Elbows Don’t Have Eyes a “punk survival diary, a wild, poetic, and uncompromising album that moves from barbed-wire riffs to post-industrial rituals. The Stolen Moans deliver 13 miniature sonic revolutions, and the result is unforgettable.”

Mesmerized.io praises The Stolen Moans’ debut album, Elbows Don’t Have Eyes, for its rebellious spirit, razor-sharp lyricism, and daring punk energy, calling it a bold and irresistible entry into a saturated music world.

Berlin On Air praises The Stolen Moans’ debut album Elbows Don’t Have Eyes as a dynamic and explosive blend of indie rock, post-punk, and experimental textures. With unstoppable vocals, fierce instrumentation, and 13 anthemic tracks, EDHE shakes the ground, and sticks in your head.

Dancing About Architecture’s Dave Franklin calls Elbows Don’t Have Eyes “the sound of rock and roll evolving, twisting genres, torching norms, and returning from the depths with a post-genre roar.”

Roadie Metal dives into The Stolen Moans’ debut album Elbows Don’t Have Eyes, praising its raw energy, genre-blending edge, and fearless exploration of punk, noise, and experimental sounds. Check out the full review.

Cheers to The Vikings praises Elbows Don’t Have Eyes as a bold and unpredictable journey, filled with “raw energy, haunting soundscapes, and fearless songwriting. From the explosive “Dada Catapult” to the lingering beauty of “Epilogue,” this is an album that sticks with you.”

Indie Dock Music Blog delivers a raving review of The Stolen Moans’ debut album Elbows Don’t Have Eyes, calling it “vibrantly alive, unhinged, and essential for anyone craving more surrealism (and fewer safety nets) in rock and roll.” Read the full breakdown.

Indie Music Flix calls Elbows Don’t Have Eyes “a punk show, protest rally, and performance art piece all at once.” From anarchist grooves to CBGB echoes and dadaist chaos, The Stolen Moans craft a cinematic, volatile debut that hits like adrenaline at a dark carnival. Read the full review.

Mexico’s End Sessions calls Elbows Don’t Have Eyes “an exquisite experience; a sonic arena of noise rock, garage, punk, metal, and experimental chaos. With electrifying tracks like “More” and “Damned Sweet,” The Stolen Moans deliver a cathartic, out-of-orbit debut that’s impossible to ignore.”

IGGY Magazine celebrates The Stolen Moans’ debut album Elbows Don’t Have Eyes as a fiery collision of punk, haunted textures, and alternative rock energy, calling it a “fierce, unclassifiable birth certificate for a band that refuses to play it safe.”

Music For All celebrates The Stolen Moans’ debut album Elbows Don’t Have Eyes, calling it versatile, cohesive, and a fearless fusion of punk, indie, pop, and experimental rock. Read why this debut is a must-hear for all music lovers.

André Salles at You! Me! Dancing! calls The Stolen Moans’ debut album, Elbows Don’t Have Eyes, an “electrifying, cinematic journey, weaving riot grrrl energy, art rock sophistication, and fearless experimental spirit into one unforgettable record.”

Rádio Armazém praises The Stolen Moans’ debut album Elbows Don’t Have Eyes as a raw, fearless “sonic manifesto, a hybrid collision of punk, experimental pop, and cinematic noise that transforms chaos into catharsis.”

Brazilian music outlet Roadie Music celebrates The Stolen Moans’ debut album, Elbows Don’t Have Eyes, calling it brilliant, surreal, and a bold step into noise-pop, punk, and experimental soundscapes. Read the full review now.