Elbows Don't Have Eyes

Music

Jun 13

**The Debut Album by The Stolen Moans**

*A 13-Track Manifesto of Gothic Glitter, Punk Grit, and Cinematic Fury*

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Revised Release Date: Friday, July 11, 2025

Label: Compact Egg Machine
Formats: 13-track digital + CD (limited booklet edition) + CD (limited zine edition)
FFO: Wolf Alice, Siouxsie and the Banshees, PJ Harvey, Yeah Yeah Yeahs, Royal Blood, Le Tigre, Sleigh Bells, Dream Wife, Amyl and The Sniffers, The B-52’s, and Motörhead.

Elbows Don’t Have Eyes is the debut full-length album from The Stolen Moans, a 13-track shapeshifter that mutates between experimental pop, blistering punk (pre- and post-), and haunted, metal-tinged noise beauty.

Part concept album, part sonic blueprint for survival, Elbows Don’t Have Eyes draws blood from the absurd and the sublime alike. Across its runtime, the record grapples with workplace misogyny, feline kings and false idols (King of Claws), romantic yearning disguised as debate (Falling Into), anarchist art manifestos (Dada Catapult), and the unquenchable hunger for something More. It’s a world where surrealist art history collides with riot grrrl urgency, lush cinematic sprawl, and teeth-bared hooks. Beautiful and brutal in equal measure.

Imagine a riot grrrl zine fed through a synthesizer, rewired by surrealist engineers, and dumped into the goth club at last call. That’s this album.

Originally scheduled to drop on Friday the 13th, the delay only sharpened its fangs. Fittingly, Elbows Don’t Have Eyes now arrives on 7/11, a date reserved for strange deals and stranger late-night snacks.

Out Now: Elbows Don’t Have Eyes
Lock in and let loose.

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For all press, interview, or booking information, please get in touch with our media representative, Tara Driscoll.

VIDEOS

Selected Press

Happenings

Earmilk | Elbows Don't Have Eyes is ‘Fearless, Volatile, and Ravenous with Intent’

Earmilk hails Elbows Don’t Have Eyes as “a living, breathing creature, an explosive debut that blends riot grrrl punk, surrealism, and confessional chaos. With fuzz-drenched guitars and anarchist heat, The Stolen Moans deliver a record that doesn’t just speak, it howls!”

Plastic Magazine | Elbows Don't Have Eyes

Plastic Magazine calls The Stolen Moans’ Elbows Don’t Have Eyes “a fever dream”, a shapeshifting album that fuses punk, pop, and experimental noise into a cinematic, rebellious soundscape. With standout tracks like “Dada Catapult” and “Falling Into,” this debut doesn’t just land, it detonates.

The Big Takeover | Elbows Don't Have Eyes

The Big Takeover’s Dave Franklin calls Elbows Don’t Have Eyes “the new standard” for modern rock, praising its “fearless songwriting, CBGB-era swagger, and jagged, genre-breaking sound. From cultish anthems to chaotic beauty, Elbows Don’t Have Eyes hits hard and leaves a mark.”

York Calling calls The Stolen Moans’ debut album Elbows Don’t Have Eyes “a must-hear,” praising its surreal lyricism, social commentary, and genre-hopping garage rock spirit.

ExtraVAFrench calls Elbows Don’t Have Eyes a “punk survival diary, a wild, poetic, and uncompromising album that moves from barbed-wire riffs to post-industrial rituals. The Stolen Moans deliver 13 miniature sonic revolutions, and the result is unforgettable.”

Mesmerized.io praises The Stolen Moans’ debut album, Elbows Don’t Have Eyes, for its rebellious spirit, razor-sharp lyricism, and daring punk energy, calling it a bold and irresistible entry into a saturated music world.

Berlin On Air praises The Stolen Moans’ debut album Elbows Don’t Have Eyes as a dynamic and explosive blend of indie rock, post-punk, and experimental textures. With unstoppable vocals, fierce instrumentation, and 13 anthemic tracks, EDHE shakes the ground, and sticks in your head.

Dancing About Architecture | Elbows Don't Have Eyes

Dancing About Architecture’s Dave Franklin calls Elbows Don’t Have Eyes “the sound of rock and roll evolving, twisting genres, torching norms, and returning from the depths with a post-genre roar.”

Roadie Metal dives into The Stolen Moans’ debut album Elbows Don’t Have Eyes, praising its raw energy, genre-blending edge, and fearless exploration of punk, noise, and experimental sounds. Check out the full review.

Cheers to The Vikings | Elbows Don't Have Eyes

Cheers to The Vikings praises Elbows Don’t Have Eyes as a bold and unpredictable journey, filled with “raw energy, haunting soundscapes, and fearless songwriting. From the explosive “Dada Catapult” to the lingering beauty of “Epilogue,” this is an album that sticks with you.”

Indie Dock Music Blog delivers a raving review of The Stolen Moans’ debut album Elbows Don’t Have Eyes, calling it “vibrantly alive, unhinged, and essential for anyone craving more surrealism (and fewer safety nets) in rock and roll.” Read the full breakdown.

Indiefferential | Elbows Don’t Have Eyes

The Stolen Moans make the cover of Indiefferential ‘s July What’s New 2025 edition. Calling their debut album, Elbows Don’t Have Eyes, a sonic uprising. Indiefferential is available online and in print.

Indie Music Flix | Elbows Don't Have Eyes

Indie Music Flix calls Elbows Don’t Have Eyes “a punk show, protest rally, and performance art piece all at once.” From anarchist grooves to CBGB echoes and dadaist chaos, The Stolen Moans craft a cinematic, volatile debut that hits like adrenaline at a dark carnival. Read the full review.

Mexico’s End Sessions calls Elbows Don’t Have Eyes “an exquisite experience; a sonic arena of noise rock, garage, punk, metal, and experimental chaos. With electrifying tracks like “More” and “Damned Sweet,” The Stolen Moans deliver a cathartic, out-of-orbit debut that’s impossible to ignore.”

IGGY Magazine celebrates The Stolen Moans’ debut album Elbows Don’t Have Eyes as a fiery collision of punk, haunted textures, and alternative rock energy, calling it a “fierce, unclassifiable birth certificate for a band that refuses to play it safe.”

Music For All celebrates The Stolen Moans’ debut album Elbows Don’t Have Eyes, calling it versatile, cohesive, and a fearless fusion of punk, indie, pop, and experimental rock. Read why this debut is a must-hear for all music lovers.

André Salles at You! Me! Dancing! calls The Stolen Moans’ debut album, Elbows Don’t Have Eyes, an “electrifying, cinematic journey, weaving riot grrrl energy, art rock sophistication, and fearless experimental spirit into one unforgettable record.”

Rádio Armazém praises The Stolen Moans’ debut album Elbows Don’t Have Eyes as a raw, fearless “sonic manifesto, a hybrid collision of punk, experimental pop, and cinematic noise that transforms chaos into catharsis.”

Brazilian music outlet Roadie Music celebrates The Stolen Moans’ debut album, Elbows Don’t Have Eyes, calling it brilliant, surreal, and a bold step into noise-pop, punk, and experimental soundscapes. Read the full review now.

Mango Waves Magazine spotlights The Stolen Moans’ debut album Elbows Don’t Have Eyes as their Pick of the Week, praising its fearless sound and highlighting the expanded album cut of “Morning Scars.”

FV Music Blog highlights The Stolen Moans’ debut album, Elbows Don’t Have Eyes, as a Hot Pick of the Week, praising its genre-defying sound and fearless creativity. See why EDHE is turning heads.