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The thankless hours, the casual misogyny, the cliquish cruelty, and the enervating joy of the modern workplace environment… Hear all this and MORE, on the latest single from The Stolen Moans available everywhere!
Earmilk hails Elbows Don’t Have Eyes as “a living, breathing creature, an explosive debut that blends riot grrrl punk, surrealism, and confessional chaos. With fuzz-drenched guitars and anarchist heat, The Stolen Moans deliver a record that doesn’t just speak, it howls!”
The Big Takeover’s Dave Franklin calls Elbows Don’t Have Eyes “the new standard” for modern rock, praising its “fearless songwriting, CBGB-era swagger, and jagged, genre-breaking sound. From cultish anthems to chaotic beauty, Elbows Don’t Have Eyes hits hard and leaves a mark.”
York Calling calls The Stolen Moans’ debut album Elbows Don’t Have Eyes “a must-hear,” praising its surreal lyricism, social commentary, and genre-hopping garage rock spirit.
Mesmerized.io praises The Stolen Moans’ debut album, Elbows Don’t Have Eyes, for its rebellious spirit, razor-sharp lyricism, and daring punk energy, calling it a bold and irresistible entry into a saturated music world.
Dancing About Architecture’s Dave Franklin calls Elbows Don’t Have Eyes “the sound of rock and roll evolving, twisting genres, torching norms, and returning from the depths with a post-genre roar.”
Cheers to The Vikings praises Elbows Don’t Have Eyes as a bold and unpredictable journey, filled with “raw energy, haunting soundscapes, and fearless songwriting. From the explosive “Dada Catapult” to the lingering beauty of “Epilogue,” this is an album that sticks with you.”
Indie Music Flix calls Elbows Don’t Have Eyes “a punk show, protest rally, and performance art piece all at once.” From anarchist grooves to CBGB echoes and dadaist chaos, The Stolen Moans craft a cinematic, volatile debut that hits like adrenaline at a dark carnival. Read the full review.
IGGY Magazine celebrates The Stolen Moans’ debut album Elbows Don’t Have Eyes as a fiery collision of punk, haunted textures, and alternative rock energy, calling it a “fierce, unclassifiable birth certificate for a band that refuses to play it safe.”